On July 1st, 2012, the day of Mexico’s recent presidential election, I visited the Museo de Arte Moderno in Mexico City, hoping to encounter a painting by Remedios Varo. A surrealist painter fleeing the Spanish Civil War, Varo was among the many notable exiles to make their home in Mexico City during the mid-20th century. I hoped that through one of her Cimmerian dreamscapes I might learn something about the political situation she experienced in the aftermath of the massive Mexican revolutions of 1910 to 1929. It was during the prime of her career following the end of WWII that the Institutional Revolutionary Party (PRI), inheritors of the Mexican Revolution, strayed decidedly off-course to embrace a particular brand of oligarchic and authoritarian governance. Their 71 years of uninterrupted rule ended in 2000, but as I arrived at the museum that morning their return to power, in the context of an increasingly bloody “Drug War,” was already presumed.