What will it take to move from #MeToo to #WeStrike? As the Latin American movements have shown, it is in the practice of this politics in feminine that a new collective subjectivity is born. It is not our experiences of violence that define who we are, but our struggle against violence that defines a collective we.
When feminist activists and intellectuals published a collective statement calling for a feminism for the 99% and for a day of action in solidarity with the International Women’s Strike in 2017, the response was heart-lifting: after only two weeks, and after countless hours of frantic collective work, a national network of grassroots groups, informal collectives, national feminist and labor organizations… Read more →
The strike appropriated by the women’s movement is literally overflowed: it must account for multiple labor realities that escape the borders of waged and unionized work, that question the limits between productive and reproductive labor, formal and informal labor, remunerated and free tasks, between migrant and national labor, between the employed and the unemployed. The strike taken up by the women’s movement directly targets a central element of the capitalist system: the sexual and colonial division of labor.
There was thus a transversality to the political composition of the strike (unions, grassroots territorial organizations, queer collectives, student groups, health centers, migrant collectives, self-organized individuals, etc.). There was also an intersectionality of problematics that were able to make a concrete critique of renewed forms of capitalist exploitation, through their focus on labor.
Overcoming the fragmentation imposed by the state and so-called “international agendas” has been very complicated. Thus we must turn our differences into the harmony of diverse women who launch their voices in varied scales, in a pluralized choreography that nurtures and does not separate: “Together and strong, always feminists.”
Like Star Wars, Black Panther presents us not with science fiction but with myth, sharing with it what we might describe as “semi-feudal futurism” – a term far more appropriate for this film than “Afrofuturism,” thrown around in the mainstream media stripped of any meaningful political context. Why do white people love Black Panther, just as they love Star Wars?
In 1977 Louis Althusser gave a famous speech in Venice on “the crisis of Marxism,” a thesis almost as scandalous as that of an epistemological break in Marx’s thought.
The problems of Althusser’s text and other recent interventions appear to me to lie elsewhere. What does it mean that “the party must be fundamentally outside the State,” with the clarification that it is “through its activity within the masses”? What does it mean to “tear the party away from the state”? Do we not find here an ideal (and idealist) conception of a party?
Tags: In Translation
The paradox we are experiencing consists in the fact that today the critique of capitalism and the state is produced in real social conflicts, advances through real political subjects, material practices: here we already move in the zone of the “screen,” beyond the categories inherited and taken from the traditional workers’ movement, in the profile of another which is expressed as a need and seen in clips of experience.
We must start again on the basis of an irreversible pluralism, and look to move past paroxysmal – and today, caricatured – forms that have led up to this critical moment wherein every mass workers’ organization is in upheaval, and replace them in the face of the unresolvable alternative of passivity or ephemeral revolt. No matter its concrete shape, the outcome of the crisis of the party-form depends on the simultaneous transformation of all the organizations of the workers’ movement (none of which have every been purely composed of workers).
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