Over the course of fifty days, Amazon mobilized dozens of consultants and influencers, created websites, sent dozens of anti-union messages to every employee on Twitter and WhatsApp, and called a hundred meetings with mandatory participation during working hours. On the other hand, the union avoided mobilizing its members with public protest actions and did not organize moments of active solidarity with other Amazon centers and other unions.
Andreas Malm develops a method designed to abolish ambivalence: herein lies the clarity of his work. His approach may best be described as kaleidoscopic: it orders the heterogeneous shards of history through the mirrors of his theory of history, while a singular eyepiece provides focus, and the basis for a unified political perspective. But this method only avoids ambivalence in theory. When it comes to practice, ambivalences reappear – but in the blindspot of theory. Reviews of Malm’s individual works may miss these blindspots and ambivalences, but once we read them side by side, we can begin to understand that they are structural to his work.
Any specific struggle over environmental noxiousness is meaningful only if it is connected to a wider battle against the noxiousness of the capitalist organization of work.
In this perspective, the gray zones of labor, inside and outside capitalist enterprises, can be understood as zones of production of a divided subjectivity, a schizophrenic subjectivity. For me, it is not so much a question of identifying a subject as of understanding the processes of desubjectification: that is, the individual and collective processes that allow us to dispose of subjectivity as it is produced.
If, at the beginning of the pandemic we asked if we were facing a restructuring of class relations within the domestic sphere, that attempted to make households into a laboratory for capital, today we have many more elements to map that dispute. Exercising the feminist strike again, here and across the world, enables us to carry out a confrontation on that plane.
Along the lines of a continuously regenerated creative power, Rosa Luxemburg practiced the incessant coming-and-going from self-to-self, the back-and-forth of actions, polemics, and thoughts: in order to begin again.
The following is therefore meant to be a practical, albeit imperfect and incomplete, account for anyone considering starting a fund like ours. It is also meant to offer some insight into how a strike fund, especially where you would not usually find one, (as with a wildcat strike or other organization of workers not represented by a union with deep pockets) can shape the form and capacity of labor actions.