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Care Work and the Power of Women: An Interview with Selma James

Care Work and the Power of Women: An Interview with Selma James

In their 1972 pamphlet The Power of Women and the Subversion of the Community, Selma James and Mariarosa Dalla Costa presented an original and influential analysis of “unwaged work.” This concept, which identified the care work that women do in the home as an essential element of the reproduction of capitalism, opened the door to powerful new forms of struggle among working class women and men. James founded the International Wages for Housework Campaign, based on the demand that women should be paid for their round-the-clock care work, since it reproduces labor-power day after day.

Is Lenin Still Relevant?

Is Lenin Still Relevant?

Viewpoint was invited to debate Lenin’s State and Revolution in a panel at the Left Forum. Check it out if you’re near New York City this weekend. Details below.

A Small Taste of Student Fists: The UCSC Campus Shutdown

A Small Taste of Student Fists: The UCSC Campus Shutdown

Legend has it that the campus of the University of California, Santa Cruz was designed by a prison architect who, in response to student riots at UC Berkeley, created a campus grid without a central point. Lacking a major quad or lawn, demonstrations would be dispersed to the individual colleges, defused and controlled. While this legend is certainly not true – UCSC was conceived of as an experiment in “human-scale” education whose existence was to challenge the dehumanizing size of state universities – the layout of UCSC does present this challenge to student activists. 

The Singer in the Subway: Damon C. Scott and Storm Queen

The Singer in the Subway: Damon C. Scott and Storm Queen

In 2007, Washington Post columnist Gene Weingarten and Grammy Award-winning classical violinist Joshua Bell teamed up to play a prank on commuters in Washington, DC’s public transportation system. Weingarten’s account of what he called “an experiment in context, perception and priorities—as well as an unblinking assessment of public taste” appeared in a Post article called “Pearls Before Breakfast.” It describes how Bell stood in the L’Enfant Plaza Station posing as a subway busker, and performed a selection of classical pieces typical of his concerts. He played them on his Gibson ex Huberman Stradivarius—a 300-year-old piece of wood that is valued at $3.5 million.